I study lives. My text book is the biography. The first grown-up book I read was a biography of Mark Twain. I was, I think, in 6th grade. The most recent book read, finished a couple days ago, is Robert D. Richardson Jr.’s biography of Emerson, subtitled The Mind on Fire. Before that, earlier this summer, I re-read Sarah Bakewell’s biography of Montaigne, How to Live. I read Bakewell as a set up to my summer reading of Montaigne’s long essay, An Apology of Raymond Sebond. That essay consumed much of my summer Colorado reading. Though I’ve been reading Montaigne for thirty years I’d not tackled Sebond and wanted to devote my time and energy to it uninterrupted, pencil and notepad in hand. But let’s return to studying lives.
Richardson’s Emerson is wonderfully written and ranks in my reading life as a high point. Half-way through I said to Carole, book in lap, “This book is changing my life.” Last year’s reading of Sue Prideaux’s I am Dynamite!, A Life of Nietzsche, had a similar effect. Richardson’s Emerson, however, reached deeper for a reason I’ve yet to comprehend. Interestingly, Nietzsche described Emerson as “a glorious, great nature, rich in soul and spirit…the author who has been the richest in ideas in this century.” Uncharacteristically, Nietzsche never turned against Emerson. I was so enthused by Richardson’s Emerson I found a used copy of his Thoreau, A Life of the Mind. I am excited to start that book.
I study lives. An enduring life, rich and deep, is a wonderful thing and the shape and nature of such a thing has forever been of serious interest to me. Early on I recognized that some lives are, frankly, better lived and better expressed than others. Plutarch’s Lives, a study of lives in parallel, one virtuous, one lacking in virtue is the best ancient example of this notion. The rare exemplary life is unique–unique in its creativity, or perhaps in its impact on humanity. Or maybe, in the best case, in its goodness. Such a life is defined by character and intention; it is purposeful and directed; instructive and inspiring. How better to devote my reading life? I do not seek distraction. I do not seek entertainment. I seek to understand how this most important and precious thing, life itself, is to be best exercised, best experienced, best designed. How to live is the essence of creativity.
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There is something I’ve noticed shared by many of these lives, something important.
Toward the end of Richardson’s biography he summarizes some of the lessons Emerson learned in later life. He writes: “At the core of Emerson’s life and work is a core of these impressions, bound together. They are not arguments or hypotheses….these are the perceptions that Emerson retains.” He continues with a list, starting…:
“The days are gods. That is, everything is divine. Creation is continuous. There is no other world; this is all there is. Everyday is the day of judgement.” [My italics.]
The list continues however I want to focus on these particular lessons as they are often shared by other lives I’ve studied. Nietzsche, for instance, had his “Theory of Eternal Return.” “Da Capo!—Once more! Once more! Back to the beginning.” In perfect health, one should “crave nothing more fervently” than the “eternal return of one’s life,” the same life down to the very last detail. With this Groundhog Day idea at the forefront of thought one will live moment by moment with the expectation that should the moment be repeated it would be agreeable by design. In this fashion, to be Emersonian about it, everyday is the day of judgement. I cannot imagine a way of being more present in the world.
Or consider the last days of Thoreau. Friend and neighbor Parker Phillsbury visited Henry David a few days before his death. “You seem so near the brink of the dark river,” Pillsbury said, “that I almost wonder how the opposite shore may appear to you.” Thoreau summed up his life and philosophy in response: “One world at a time.”
One world at a time, indeed. No concern about future reward or punishment. No effort wasted on what cannot be known. Just a focus on this world, here and now. A major theme of the important and creative lives I’ve studied is the theme of a cultivated and nurtured life devoted to living in the present. These are nerve-end lives, sparking and full of energy, thirsty for experience and immediacy.
I come to these ruminations from a place of sorry and darkness. I lost my beloved Lucy girl recently. This is not a thing I am prepared to talk about here, except for the following. My days with Lucy over the last few years were marked by a deep and conscious appreciation of our lives together. Many a morning walk I watched her and acknowledged that this was not lasting, that someday our lives, like all lives, would end in separation. I was, with painful awareness, searing moments into my consciousness, thereby stamping them with all the more value and potency. In her death I turn with gratitude for these moments of present awareness. Gratitude cannot assuage fresh grief but it is a degree of balm.
The days are gods and we are best obliged to honor them with an awareness and a presence. Do not take them for granted. Embrace each moment, turning from nothing. Such is divinity in the making.